Box 8
Container
Contains 11 Results:
Installation contact sheet
File — Box: 8, Folder: 11
Scope and Contents note
From the Sub-Series:
This exhibition examined the ways in which art historical enquiry intersects with advances in science that had radically changed the field of conservation. Among the works were a 20th-century forgery of a portrait after the 17th-century Dutch Painter Jan Vermeer; The Coming Storm by American landscape painter George Inness, revealed by x-ray analysis to cover a painting by his son; and an enigmatic 16th-century drawing of the Mona...
Dates:
July 23 - September 18, 1994
Ephemera
File — Box: 8, Folder: 1
Scope and Contents note
From the Sub-Series:
This exhibition examined the ways in which art historical enquiry intersects with advances in science that had radically changed the field of conservation. Among the works were a 20th-century forgery of a portrait after the 17th-century Dutch Painter Jan Vermeer; The Coming Storm by American landscape painter George Inness, revealed by x-ray analysis to cover a painting by his son; and an enigmatic 16th-century drawing of the Mona...
Dates:
July 23 - September 18, 1994
Lenders (of comparison figs.)
File — Box: 8, Folder: 2
Scope and Contents note
From the Sub-Series:
This exhibition examined the ways in which art historical enquiry intersects with advances in science that had radically changed the field of conservation. Among the works were a 20th-century forgery of a portrait after the 17th-century Dutch Painter Jan Vermeer; The Coming Storm by American landscape painter George Inness, revealed by x-ray analysis to cover a painting by his son; and an enigmatic 16th-century drawing of the Mona...
Dates:
July 23 - September 18, 1994
Press releases
File — Box: 8, Folder: 3
Scope and Contents note
From the Sub-Series:
This exhibition examined the ways in which art historical enquiry intersects with advances in science that had radically changed the field of conservation. Among the works were a 20th-century forgery of a portrait after the 17th-century Dutch Painter Jan Vermeer; The Coming Storm by American landscape painter George Inness, revealed by x-ray analysis to cover a painting by his son; and an enigmatic 16th-century drawing of the Mona...
Dates:
July 23 - September 18, 1994
Photo research
File — Box: 8, Folder: 4
Scope and Contents note
From the Sub-Series:
This exhibition examined the ways in which art historical enquiry intersects with advances in science that had radically changed the field of conservation. Among the works were a 20th-century forgery of a portrait after the 17th-century Dutch Painter Jan Vermeer; The Coming Storm by American landscape painter George Inness, revealed by x-ray analysis to cover a painting by his son; and an enigmatic 16th-century drawing of the Mona...
Dates:
July 23 - September 18, 1994
Contracts and agreements
File — Box: 8, Folder: 5
Scope and Contents note
From the Sub-Series:
This exhibition examined the ways in which art historical enquiry intersects with advances in science that had radically changed the field of conservation. Among the works were a 20th-century forgery of a portrait after the 17th-century Dutch Painter Jan Vermeer; The Coming Storm by American landscape painter George Inness, revealed by x-ray analysis to cover a painting by his son; and an enigmatic 16th-century drawing of the Mona...
Dates:
July 23 - September 18, 1994
Exhibition proposals and planning
File — Box: 8, Folder: 6
Scope and Contents note
From the Sub-Series:
This exhibition examined the ways in which art historical enquiry intersects with advances in science that had radically changed the field of conservation. Among the works were a 20th-century forgery of a portrait after the 17th-century Dutch Painter Jan Vermeer; The Coming Storm by American landscape painter George Inness, revealed by x-ray analysis to cover a painting by his son; and an enigmatic 16th-century drawing of the Mona...
Dates:
July 23 - September 18, 1994
Press clippings
File — Box: 8, Folder: 7
Scope and Contents note
From the Sub-Series:
This exhibition examined the ways in which art historical enquiry intersects with advances in science that had radically changed the field of conservation. Among the works were a 20th-century forgery of a portrait after the 17th-century Dutch Painter Jan Vermeer; The Coming Storm by American landscape painter George Inness, revealed by x-ray analysis to cover a painting by his son; and an enigmatic 16th-century drawing of the Mona...
Dates:
July 23 - September 18, 1994
Budget
File — Box: 8, Folder: 8
Scope and Contents note
From the Sub-Series:
This exhibition examined the ways in which art historical enquiry intersects with advances in science that had radically changed the field of conservation. Among the works were a 20th-century forgery of a portrait after the 17th-century Dutch Painter Jan Vermeer; The Coming Storm by American landscape painter George Inness, revealed by x-ray analysis to cover a painting by his son; and an enigmatic 16th-century drawing of the Mona...
Dates:
July 23 - September 18, 1994
Exhibition layout
File — Box: 8, Folder: 9
Scope and Contents note
From the Sub-Series:
This exhibition examined the ways in which art historical enquiry intersects with advances in science that had radically changed the field of conservation. Among the works were a 20th-century forgery of a portrait after the 17th-century Dutch Painter Jan Vermeer; The Coming Storm by American landscape painter George Inness, revealed by x-ray analysis to cover a painting by his son; and an enigmatic 16th-century drawing of the Mona...
Dates:
July 23 - September 18, 1994