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Contracts and agreements

 File — Box: 8, Folder: 5

Scope and Contents note

From the Sub-Series:

This exhibition examined the ways in which art historical enquiry intersects with advances in science that had radically changed the field of conservation. Among the works were a 20th-century forgery of a portrait after the 17th-century Dutch Painter Jan Vermeer; The Coming Storm by American landscape painter George Inness, revealed by x-ray analysis to cover a painting by his son; and an enigmatic 16th-century drawing of the Mona Lisa, which, despite rigorous analysis, can neither be authenticated nor discounted as a work by Leonardo da Vinci.

Dates

  • July 23 - September 18, 1994

Conditions Governing Access

Loan agreements are permanently restricted.

Extent

From the Collection: 45 Linear Feet (131 boxes)

Language of Materials

From the Collection: English

Repository Details

Part of the Sterling and Francine Clark Art Institute Archives Repository