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Box 42

 Container

Contains 16 Results:

Attendance records

 File — Box: 42, Folder: 11
Scope and Contents note From the Sub-Series:

In this special installation, the Clark considered Charles White's large-scale mural, Progress of the American Negro, in light of White's abiding interest in African American history, the under-appreciated role of African American artists in the WPA and the New Deal, and that era's emphasis on public art.

Dates: October 3, 1998 - January 3, 1999

Budgets

 File — Box: 42, Folder: 12
Scope and Contents note From the Sub-Series:

In this special installation, the Clark considered Charles White's large-scale mural, Progress of the American Negro, in light of White's abiding interest in African American history, the under-appreciated role of African American artists in the WPA and the New Deal, and that era's emphasis on public art.

Dates: October 3, 1998 - January 3, 1999

Exhibition proposals and planning

 File — Box: 42, Folder: 13
Scope and Contents note From the Sub-Series:

In this special installation, the Clark considered Charles White's large-scale mural, Progress of the American Negro, in light of White's abiding interest in African American history, the under-appreciated role of African American artists in the WPA and the New Deal, and that era's emphasis on public art.

Dates: October 3, 1998 - January 3, 1999

Labels and wall text copy

 File — Box: 42, Folder: 14
Scope and Contents note From the Sub-Series:

In this special installation, the Clark considered Charles White's large-scale mural, Progress of the American Negro, in light of White's abiding interest in African American history, the under-appreciated role of African American artists in the WPA and the New Deal, and that era's emphasis on public art.

Dates: October 3, 1998 - January 3, 1999

Accounting transactions

 File — Box: 42, Folder: 15
Scope and Contents note From the Sub-Series:

In this special installation, the Clark considered Charles White's large-scale mural, Progress of the American Negro, in light of White's abiding interest in African American history, the under-appreciated role of African American artists in the WPA and the New Deal, and that era's emphasis on public art.

Dates: October 3, 1998 - January 3, 1999

Condition reports

 File — Box: 42, Folder: 16
Scope and Contents note From the Sub-Series:

In this special installation, the Clark considered Charles White's large-scale mural, Progress of the American Negro, in light of White's abiding interest in African American history, the under-appreciated role of African American artists in the WPA and the New Deal, and that era's emphasis on public art.

Dates: October 3, 1998 - January 3, 1999