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Box 42

 Container

Contains 16 Results:

Press releases

 File — Box: 42, Folder: 1
Scope and Contents note From the Sub-Series:

In this special installation, the Clark considered Charles White's large-scale mural, Progress of the American Negro, in light of White's abiding interest in African American history, the under-appreciated role of African American artists in the WPA and the New Deal, and that era's emphasis on public art.

Dates: October 3, 1998 - January 3, 1999

Press clippings

 File — Box: 42, Folder: 2
Scope and Contents note From the Sub-Series:

In this special installation, the Clark considered Charles White's large-scale mural, Progress of the American Negro, in light of White's abiding interest in African American history, the under-appreciated role of African American artists in the WPA and the New Deal, and that era's emphasis on public art.

Dates: October 3, 1998 - January 3, 1999

Catalog text

 File — Box: 42, Folder: 3
Scope and Contents note From the Sub-Series:

In this special installation, the Clark considered Charles White's large-scale mural, Progress of the American Negro, in light of White's abiding interest in African American history, the under-appreciated role of African American artists in the WPA and the New Deal, and that era's emphasis on public art.

Dates: October 3, 1998 - January 3, 1999

Informal photographs

 File — Box: 42, Folder: 4
Scope and Contents note From the Sub-Series:

In this special installation, the Clark considered Charles White's large-scale mural, Progress of the American Negro, in light of White's abiding interest in African American history, the under-appreciated role of African American artists in the WPA and the New Deal, and that era's emphasis on public art.

Dates: October 3, 1998 - January 3, 1999

Ephemera

 File — Box: 42, Folder: 5
Scope and Contents note From the Sub-Series:

In this special installation, the Clark considered Charles White's large-scale mural, Progress of the American Negro, in light of White's abiding interest in African American history, the under-appreciated role of African American artists in the WPA and the New Deal, and that era's emphasis on public art.

Dates: October 3, 1998 - January 3, 1999

Installation photos

 File — Box: 42, Folder: 6
Scope and Contents note From the Sub-Series:

In this special installation, the Clark considered Charles White's large-scale mural, Progress of the American Negro, in light of White's abiding interest in African American history, the under-appreciated role of African American artists in the WPA and the New Deal, and that era's emphasis on public art.

Dates: October 3, 1998 - January 3, 1999

Installation slides and contact sheet

 File — Box: 42, Folder: 7
Scope and Contents note From the Sub-Series:

In this special installation, the Clark considered Charles White's large-scale mural, Progress of the American Negro, in light of White's abiding interest in African American history, the under-appreciated role of African American artists in the WPA and the New Deal, and that era's emphasis on public art.

Dates: October 3, 1998 - January 3, 1999

Related events / High school program

 File — Box: 42, Folder: 8
Scope and Contents note From the Sub-Series:

In this special installation, the Clark considered Charles White's large-scale mural, Progress of the American Negro, in light of White's abiding interest in African American history, the under-appreciated role of African American artists in the WPA and the New Deal, and that era's emphasis on public art.

Dates: October 3, 1998 - January 3, 1999

Related events / Symposium: Conserving a Legacy: Charles White and the art collections of historically black universities

 File — Box: 42, Folder: 9
Scope and Contents note From the Sub-Series:

In this special installation, the Clark considered Charles White's large-scale mural, Progress of the American Negro, in light of White's abiding interest in African American history, the under-appreciated role of African American artists in the WPA and the New Deal, and that era's emphasis on public art.

Dates: October 3, 1998 - January 3, 1999

Press kit

 File — Box: 42, Folder: 10
Scope and Contents note From the Sub-Series:

In this special installation, the Clark considered Charles White's large-scale mural, Progress of the American Negro, in light of White's abiding interest in African American history, the under-appreciated role of African American artists in the WPA and the New Deal, and that era's emphasis on public art.

Dates: October 3, 1998 - January 3, 1999