Box 57

Dante Gabriel Rossetti's paintings of women were the subject of this exhibition. The exhibition took its title from the culminating work in a series of idealized portraits, The Blue Bower.

Dante Gabriel Rossetti's paintings of women were the subject of this exhibition. The exhibition took its title from the culminating work in a series of idealized portraits, The Blue Bower.

Dante Gabriel Rossetti's paintings of women were the subject of this exhibition. The exhibition took its title from the culminating work in a series of idealized portraits, The Blue Bower.

Dante Gabriel Rossetti's paintings of women were the subject of this exhibition. The exhibition took its title from the culminating work in a series of idealized portraits, The Blue Bower.

Dante Gabriel Rossetti's paintings of women were the subject of this exhibition. The exhibition took its title from the culminating work in a series of idealized portraits, The Blue Bower.

Dante Gabriel Rossetti's paintings of women were the subject of this exhibition. The exhibition took its title from the culminating work in a series of idealized portraits, The Blue Bower.

Dante Gabriel Rossetti's paintings of women were the subject of this exhibition. The exhibition took its title from the culminating work in a series of idealized portraits, The Blue Bower.

Dante Gabriel Rossetti's paintings of women were the subject of this exhibition. The exhibition took its title from the culminating work in a series of idealized portraits, The Blue Bower.

Dante Gabriel Rossetti's paintings of women were the subject of this exhibition. The exhibition took its title from the culminating work in a series of idealized portraits, The Blue Bower.

Dante Gabriel Rossetti's paintings of women were the subject of this exhibition. The exhibition took its title from the culminating work in a series of idealized portraits, The Blue Bower.