The Papers Of Sir Edwin Alfred Grenville Manton, 1927-2007
Scope and Contents
The Papers of Sir Edwin Alfred Grenville Manton, 1927-2007, is comprised of records created and accumulated by Edwin Manton over his lifetime. The collection includes documents such as correspondence; invoices and receipts; and photographs and slides depicting potential acquisitions for his personal art collection. Also in this collection is a series of books and auction catalogs collected by Manton, published between the 1940’s and the early 2000’s, many of which include dog-eared pages and notes on desirable artworks.
Information regarding the Manton family’s 2007 gift to the Clark Art Institute is also included in this collection. The gift included over 300 pieces of 19th-century British artworks and an endowment to the Clark paid over the course of five years. The gift designed to aid in educational efforts at The Clark and to expand the museum's holdings of British art. The details of the gift are bound together and separated into exhibit sections; each holds a different portion of the process of finalizing the gift. This includes the gift agreement form, correspondence, the credentials of people working with the gift, a section detailing each artwork gifted to the Clark, as well as layouts for the proposed Manton gallery.
The correspondence subseries within the collection is comprised of general correspondence between Manton and the various galleries, organizations, art dealers, and companies he worked with in his capacity as an art collector. This includes general inquiries about art and other services, plans for exhibitions and catalogs involving Mantons collected works; personal letters, as well as extensive contact between Manton and Oscar and Peter Johnson Limited. Also included are invoices and receipts for services rendered, such as security or insurance. Each folder within this subseries contains a specific entities correspondence to or from Manton.
Another aspect of this collection is the Private Collection series. The series is comprised of the information regarding specific pieces of art purchased by Manton. Records include correspondence referencing the potential sale of specifc artworks; photographs, slides, or transparencies of the works of art; receipts and invoices for artworks, price lists, and information on the artworks being sold. Each folder within this series contains details of the sale of an artwork or grouping of artworks to Edwin Manton.
Further included in this collection is a subseries of photographs and news clippings. The photographs depict unidentified works of art. The newspaper clippings often capture stories on John Constable, other artists within Manton's purview, and stories prevalent to art at the time.
Dates
- 1927-2007
Conditions Governing Access
The material in this collection is open to research with some select records closed. Financial documents and contract information are permanently closed to research.
Biographical / Historical
Sir Edwin Alfred Grenville Manton was born in Earls Colne, Essex in 1909. He grew up and was educated in Britain. During the First World War, Manton and his family moved to Shaftsbury where he attended grammar school, and where he later stayed when his family returned to London. After graduating secondary school, he turned down a scholarship to Cambridge University and began to work at the Caledonian Insurance Company. In 1933, his work caught the attention of the American International Underwriter Group (AIG) in New York. Manton moved to the United states in 1933; in 1936 he married his wife, Florence “Gretchen” Brewer. The pair were married for 67 years and had one child together. Manton worked as a casualty underwriter until his first promotion to vice president of the company in 1938. During his time with AIG, Manton was promoted to President (1942-1969), Chairman (1969-1975), and finally as the Senior Advisor to A.I.G until his death in 2005.
Manton became interested in art, specficially British art, following the Second World War. The first painting Manton collected was “View of the Stour” by John Constable in 1949. By the 1960s and 1970s, Manton had amassed what was generally considered one of the best collections of 19th century British art in private hands. Manton worked with many experts in researching his collection, such as Leslie Parris of the Tate Gallery in London. The work of Parris and others revealed that much of Manton’s Constable collection was not created by Constable himself but by Constable's son, Lionel, and other followers. Manton deemed these objects “Constabiles." Manton's relationship with the Tate led to many charitable contributions to The Tate for the remainder of Manton’s life.
Among the most significant of Manton's gifts to the Tate Gallery was the creation of its American Fund, in 1988. The fund was established to raise money for the purchase art from the Americas, and the facilitate collaboration between arts institutions in the UK and US. The fund is still functional. Over his lifetime Manton contributed greatly to The Tate; the bulk of these donations, made in the 1990’s, made Manton one of the most generous benefactors in the museum's history. For this, Manton was knighted in 1994 by Queen Elizabeth II.
The Manton Foundation was created in 1991 to support Sir and Lady Manton’s local patronage of the arts. Since the creation of the Foundation, and following Edwin Manton's death in 2005, charitable contributions have been provided to institutions such as The Hospital for Large Animals at Tufts, The North Bennet School in Boston, and smaller libraries and museums. The foundation also created The Manton Center for Orphan diseases which aids in the research and treatment of rare illness and diease in children.
Extent
4.00 Linear feet (4 Boxes)
Language of Materials
English
Abstract
The Papers of Sir Edwin Alfred Grenville Manton, 1927-2007, is comprised of documents related to the Manton's family and business interests, as well as artworks surveyed for Manton’s private art collection. Papers within this collection include correspondence with art dealers and art historians, color slides and photographs of objects; invoices and receipts from art dealers; correspondence with security consultants and insurers; newspapers and newspaper clippings relating to John Constable and his work; AIG brochures; records of art works for insurance purposes; correspondence with the Salmagundi Club concerning an exhibit of John Constable works belonging to Manton.
Arrangement
This collection was divided into three series. One of which has four subseries.
• Series I: General Records, contains 4 subseries.
- Subseries A: Gift Material
- Subseries B: Correspondence organized alphabetically.
- Subseries C: Catalogs
- Subseries D: Photos and News Clippings
• Series II: Private Collection organized alphabetically.
• Series III: Books and Auction Catalogs organized alphabetically.
Immediate Source of Acquisition
The records this collection was acquired with Manton’s 2007 gift to The Clark Art Institute. The 2007 gift information was added in 2023. The original dates of the collection were stated as 1927-2005; this was ammended to fit the date of the gift information and now runs 1927-2007.
Processing Information
The original order of individual documents and folder names were maintained where possible. The date range was changed to reflecct the intergration of the gift material which dates 2007 and now runs 1927-2007.
- Business letters
- Constable, John, 1776-1837
- Correspondence
- De Wint, Peter, 1784-1849
- Dine, Jim, 1935
- Gainsborough, Thomas, 1727-1788
- Goodwin, Albert
- Hunt Hoie, Helen
- Manton Building
- Manton Gallery
- Manton, Florence V.
- Notes
- Photographs
- Stark, James
- Turner, J. M. W. (Joseph Mallord William), 1775-1851
- Title
- The Papers of Sir Edwin Alfred Grenville Manton, 1927-2007
- Status
- Completed
- Author
- Lauren Piekos
- Date
- December 1, 2023
- Description rules
- Describing Archives: A Content Standard
- Language of description
- English
- Script of description
- Code for undetermined script
Repository Details
Part of the Sterling and Francine Clark Art Institute Archives Repository
